Friday Reads: Happy National Poetry Month!
Welcome to National Poetry Month! Inaugurated by the Academy of American Poets in 1996, National Poetry Month celebrates poetry and its place in American culture. April is rich with inspiration for poetry lovers – with poetry readings, workshops, and new books from debut and beloved poets alike. Whether you are well-versed or simply poetry-curious, we invite you to dip into the following classic and recently published volumes:
Edited by the magazine’s poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New Yorker.
The magazine’s poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls “refrigerator poems”: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poem—or lines by a new writer you’ve never heard of but will hear much more from in the future—is what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul.
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A beautifully illustrated edition of Poet Laureate Joy Harjo’s poem “Washing My Mother’s Body,” which offers a way through grief when the loss appears unbearable.
As I wash my mother’s face, I tell her
how beautiful she is, how brave, how her beauty and bravery
live on in her grandchildren. Her face is relaxed, peaceful.
Her earth memory body has not left yet,
but when I see her the next day, embalmed and in the casket
in the funeral home, it will be gone.
Where does it go?
Through lyrical prose and evocative watercolor illustrations by award-winning Muscogee artist Dana Tiger, Washing My Mother’s Body explores the complexity of a daughter’s grief as she reflects on the joys and sorrows of her mother’s life. She lays her mother to rest in the landscape of her memory, honoring the hands that raised her, the body that protected her, and the legs that carried her mother through adversity.
Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as “far and away, this country’s best selling poet” by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.
Carefully curated, these 200 plus poems feature Oliver’s work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.
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Click here for the Spanish edition
An irresistible hardcover collection of the famous humorist’s poems that range from lighthearted satire to gleeful dark comedy.
One of the Jazz Age’s most beloved poets, Dorothy Parker earned her reputation as the wittiest woman in America with her popular light verse, which was regularly published in Vanity Fair, Life, and The New Yorker. Her debut poetry collection, Enough Rope, was a runaway bestseller in 1926, and she followed it up in 1928 with the equally delightful collection Sunset Gun.
The poems gathered here range from barbed satires to lighthearted laments, all laced with Parker’s unmistakable sense of humor, one that manages to be both cynical and sparkling.
Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it as he explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity—even if to live under such philosophies is dangerous.
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An anthology of brand-new poems inspired by Taylor Swift songs, from a powerhouse group of contemporary poets, including Kate Baer, Maggie Smith, and Joy Harjo.
In a spirit of celebration and collaboration, poets have taken a cue from Swift’s love of dropping clues and puzzles for her fandom to decode, as each poem alludes to a song without using direct lyrics. Swifties will enjoy closely reading each of the poems to discover which song each poet responded to; each poem responds to only one song.
Swifties will experience the profundity and nuance of Swift’s lyrics through these poems, while having fun matching the poems to songs from all of her eras—vault tracks included! For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from today’s most lauded and revered poets.
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A poet renowned for her “wit and complexity” (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date.
Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways?
Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, and a ten-minute play.See Less
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“A powerful, capacious, and profound” (Ocean Vuong) new collection of poems about life in Gaza by an award-winning Palestinian poet.
“The poems in Mosab Abu Toha’s Forest of Noise are urgent, prayerful howls in the bleakest of nights. Necessary, and wrought out of both terror and truth, these poems sing and weep in a rough and haunting harmony. Abu Toha’s work begs the reader to pay close attention as each poetic line is, at its heart, a lifeline to survival.”—Ada Limón, US Poet Laureate, author of The Hurting Kind
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