May 10, 2018
Our new Igloo Book Buzz selection is James and Deborah Fallows’ OUR TOWNS: A 100,000-Mile Journey into the Heart of America, published by Pantheon on May 8. For the last five years, the Fallowses have been traveling across America in a single-engine prop airplane. Visiting dozens of towns, they met hundreds of civic leaders, workers, immigrants, educators, environmentalists, artists, public servants, librarians, business people, city planners, students, and entrepreneurs to take the pulse and understand the prospects of places that usually draw notice only after a disaster or during a political campaign.
The America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better.
The Fallowses talked to Slate
about OUR TOWNS: “We started this project in 2013,” Deborah said, “when there wasn’t a political backdrop to this story. It was more coming out of the recession, and us coming back from China and wanting to get some instincts about where America was at this point, and wanting to go out to as many places as we could to see if our impressions of what we heard about America from being in China for a long time—everything was going to hell in a hand basket, and that there were really tough times—was true.”
James added, “I think we’re naturally optimistic people, and so our starting point was more we kind of didn’t think things could be that bad, and it wasn’t our experience and it certainly wasn’t our experience in the time that we had been in America before. We didn’t have an agenda. It was really to just open the book and see what was out there.”
“We didn’t ask about national things,” Deborah said, “except at the very end. But when we just asked about people’s lives and what was going on in their town, it was so heavily weighted towards in my neighborhood, at my schools, on our main street, what people need here, what people want from my town.
I don’t know if people had just given up on the national scene or they didn’t want to talk about it anymore, but it felt like it just didn’t occupy a huge part of where their energy and where their intentions were set and were focused.”
James concluded, “The complete tribal nature, identity nature, quasi-religious nature of national politics is separate from the local in a way that I don’t know an exact precedent. It is reassuring for the health at the local level. It’s quite alarming that nonetheless, we have this national result. I guess the news we have to offer is that there is that contrast because I think most people have assumed that national-level dysfunction must indicate profound disease through the entire body politic.”
To read the full Slate
article, click here
Watch and listen to James and Deborah Fallows’ recent segments on CBS Sunday Morning
and CBS This Morning.
James Fallows has been a national correspondent for The Atlantic
for more than thirty-five years, reporting from China, Japan, Southeast Asia, Europe, and across the United States. He is the author of eleven previous books. He has won a National Book Award and a National Magazine Award. For two years he was President Jimmy Carter’s chief speechwriter.
Deborah Fallows is a linguist and writer who holds a PhD in theoretical linguistics and is the author of two previous books. She has written for The Atlantic, National Geographic, Slate, The New York Times,
and The Washington Monthly,
and has worked at the Pew Research Center, Oxygen Media, and Georgetown University.
April 24, 2018
Westminster colleagues take note: Pantheon author David Reich will be discussing his groundbreaking book, WHO WE ARE AND HOW WE GOT HERE: Ancient DNA and the New Science of the Human Past, on Thursday, April 26, in Washington, D.C in the Rasmuson Theater at the National Museum of the American Indian, as part of the Smithsonian Inside Science Program. The event will begin at 6:45 p.m., with Reich’s talk followed by a book signing.
In WHO WE ARE AND HOW WE GOT HERE, Reich allows readers to discover how the human genome provides not only all the information a human embryo needs to develop but also the hidden story of our species. Reich delves into how the genomic revolution is transforming our understanding of modern humans and how DNA studies reveal deep inequalities among different populations, between the sexes, and among individuals. Provocatively, Reich’s book suggests that there might very well be biological differences among human populations but that these differences are unlikely to conform to common stereotypes.
David Reich, Professor of Genetics at Harvard Medical School, and a Howard Hughes Medical Institute Investigator, is one of the world’s leading pioneers in analyzing ancient human DNA. In a 2015 article in Nature,
he was names on of ten people who matter in all of the sciences for his contribution to transforming ancient DNA data “from niche pursuit to industrial process.” Awards he has received include the Newcomb Cleveland Prize from the American Association for the Advancement of Science and the Dan David Prize in the Archaeological and Natural Sciences for his computational discovery of intermixing between Neanderthals and Homo sapiens.
January 23, 2018
The National Book Critics Circle has announced the finalists for its 2017 awards. Penguin Random House imprints publish six finalists for NBCC Awards in the following categories:
, EXIT WEST
, THE MINISTRY OF UTMOST HAPPINESS
, THE FUTURE IS HISTORY: How Totalitarianism Reclaimed Russia
, THE KELLOGGS: The Battling Brothers of Battle Creek
, HOOVER: An Extraordinary Life in Extraordinary Times
, THE GIRL FROM THE METROPOL HOTEL: Growin Up in Communist Russia
View the complete list of NBCC finalists here
Winners of the NBCC awards will be announced on Thursday, March 15 in NYC at the New School’s Tishman Auditorium. A finalists’ reading will be held on March 14 at 6:30 p.m. in the same location. Both events are free and open to the public.
The National Book Critics Circle was founded in 1974 at New York’s Algonquin Hotel by a group of the most influential critics of the day, and awarded its first set of honors in 1975. The NBCC now comprises more than 1,000 working critics and book-review editors throughout the country. The NBCC annually bestows its awards in six categories, honoring the best books published in the past year in the United States.
January 18, 2018
Biographers International Organization (BIO) has nominated ten books as semi-finalists for its 2018 Plutarch Award, the only international literary prize for biography that is chosen by fellow biographers. Four of the nominees are published by Penguin Random House imprints:
January 17, 2018
The Library of Michigan has announced its 2018 Michigan Notable Books honorees as part of its annual recognition program. This year’s 20 books were chosen by Michigan librarians from a list of nearly 300 titles published in 2017. Two of the books being honored are published by Penguin Random House imprints:
THE MARSH KING’S DAUGHTER
by Karen Dionne
(G.P. Putman’s Sons
THE KELLOGGS: The Battling Brothers of Battle Creek
by Howard Markel
Congratulations to Ms. Dionne and Mr. Markel as well as their editors and publishers.
View the complete list of 2018 Michigan Notable Books here
The Night for Notable celebration, hosted by the Library of Michigan Foundation and featuring author Richard Ford as keynote speaker, will take place in Detroit on April 7.
August 10, 2017
“What’s more American than Corn Flakes?” Bing Crosby once posed that rhetorical question and would probably have enjoyed reading our new Igloo Book Buzz selection, Howard Markel’s THE KELLOGGS: The Battling Brothers of Battle Creek, published by Pantheon.
What inspired Markel, a doctor, professor, historian, and author, to write this book? He said, “After finding a treasure trove of papers and other archival materials documenting the Kellogg brothers’ lives, I knew there was a remarkable story worth telling. This family saga was more than the story of the creation of corn flakes or a feud between brothers, it was a compelling and important tale of modern medicine, nutrition, industry and wellness in America.”
, who edited the book, said, “The story of the Kellogg Brothers is a great American saga of know-how, instinct, curiosity, invention and determination. It’s the building of a vast industry that changed how America lived and ate for more than seven decades, from post-Civil-War America, through the gilded age up to the Second World War. It’s a kind of Magnificent Ambersons
, mid-western American saga that gives us a changing world in the heart of the industrial age.”
[caption id="attachment_7390" align="alignright" width="199"]
Credit: Joyce Ravid[/caption]
THE KELLOGGS has garnered much praise from media outlets as well as authors:
“A tale of grit, controversy, faith and the emergence of the ‘wellness’ movement. In the hands of Markel, a trained historian, physician, seasoned writer and chronicler of America, this tale comes alive. A fabulous read.”
—Abraham Verghese, author of CUTTING FOR STONE
“Howard Markel’s riveting, deeply researched new book covers vast territory: the saga of the squabbling Kellogg brothers (“magnificent showmen, resolute empire builders, and unwavering visionaries”), their mass-branding of breakfast cereals, their concept of ‘wellness,’ and their enormous influence on the diet of millions of Americans. This book arrives at a pivotal moment in our own history when mass-marketing, showmanship, and the media deserve particularly deep study. Markel’s incandescent scholarship and his incisive analysis shine through this book. THE KELLOGGS can certainly be read as a biography of two visionaries (and their extended families), but it also deserves to be read as a case study by generations of future readers.”
— Siddhartha Mukherjee, Pulitzer Prize -winning author of The Emperor of All Maladies: A Biography of Cancer
“This incredible story by itself would be sufficient for a book. Markel, however, goes much further . . .an engrossing adventure about the rise of Midwest America from the pioneering days of the Kellogg family to World War II with all of its failures and successes. Medicine, breakfast foods, and the Seventh Day Adventist Church are part of the story.”
— Robert S. Davis, New York Journal of Books
March 10, 2017
Author Meg Howrey is a former dancer who performed with the Joffrey, Eglevsky Ballet, and City Ballet of Los Angeles. She toured nationally with the Broadway production of Contact, for which she won the Ovation Award in 2001 for Best Featured Actress in a Musical. During her writing career, Meg has been the author two novels for Pantheon/Vintage, Blind
Sight and The Cranes Dance,
and the coauthor of two bestselling novels for Penguin, City of Dark Magic
and City of Lost Dreams,
published under the pen name Magnus Flyte.
Ms. Howrey’s new book, THE WANDERERS
, which goes on sale from G. P. Putnam’s Sons on March 14, has been described as “Station Eleven
meets The Martian.”
This brilliantly inventive novel is about three astronauts training for the first-ever mission to Mars, an experience that will push the boundary between real and unreal, test their relationships, and leave each of them—and their families—changed forever. Wonderfully imaginative, tenderly comedic, and unerringly wise, THE WANDERERS explores the differences between those who go and those who stay, telling a story about the desire behind all exploration: the longing for discovery and the great search to understand the human heart.
In this “Meet Our Author” interview, Meg takes us inside the heart of her creative life:
How would you describe your writing regimen and routines?
I alternate writing sitting at a desk with standing up at a sort of jury-rigged podium. In both places there is much gesticulation and theatrical facial expressions and mumblings. Making a book is a form of performance art. I’m a slow starter and will spend months on the first one or two chapters. Whether I’m writing two hours a day or ten, each book feels like its own particular beast and requires different regiments of feeding, care, and grooming. Books can bite or run away so you have to stay calm and be patient.
What was the genesis of and the inspirations behind your new novel, THE WANDERERS?
I read a newspaper account of a study conducted by the Russian and European space agencies to investigate the psychological effects of a long duration space mission. I thought, “Well, that’s interesting but wouldn’t what you’d feel on an actual mission to Mars be substantially different from what you’d feel in a simulator?” And then, “Possibly not, if the simulation was very good,” and also, “That would make a cool setting for a novel,” followed by, “It’s too bad I can’t write that novel since I don’t know anything about space.” So, the beast of this novel entailed a lot of research. Some of the themes I’ve tried to work on in other books are here: consciousness, ambition, the constructs of family, the problem of deciding what is real, and what “real” means.
How have you been able to find the time and the creative energy to achieve success as an author, dancer and actress?
A thing about dance is you start so young you can have had a ten-year career by the time you’re in your mid-twenties, especially if you don’t go to college, which I didn’t. The acting really came out of the dancing—every once in a while somebody needed a ballet dancer who actually wanted to speak, and there weren’t that many of us. (Basically, there was the really beautiful one, the one who could also sing, and me.) Whatever else I was doing I was always, always reading, and trying to write came out of that. With all these things—dancing, acting, writing—I never feel that I’ve arrived. I’m always squinting at goalposts.
You are among a handful of Penguin Random House authors whose books have been published by multiple imprints, in your case Pantheon/Vintage, Penguin and Putnam. How has this experience helped shape your writing career?
An accurate reckoning in my “Acknowledgements” section would run to twenty pages. THE WANDERERS exists because of the generosity of Shelley Wanger and everyone at Pantheon/Vintage, and Carolyn Carlson and many delightful Penguins, and now Tara Singh Carlson and a fantastic team at Putnam. Through five books I’ve been reinventing myself, and these people have given me the space to do it. There aren’t enough thank you cards.