BROWN GIRL DREAMING Winner of the National Book Award, the Coretta Scott King Author Award, and a Newbery Honor Book Beloved author Jacqueline Woodson shares the poignant, the gritty, and the sweet memories of her childhood—as well as revealing the first sparks that ignited her writing career—in these lyrical free-verse poems about growing up in the North and South.   I HADN'T MEANT TO TELL YOU THIS MUCH Coretta Scott King Award Winner Twelve-year-old Marie is a leader among the popular black girls in Chauncey, Ohio, a prosperous black suburb. She isn't looking for a friend when Lena Bright, a white girl, appears in school. Yet they are drawn to each other because both have lost their mothers. And they know how to keep a secret. For Lena has a secret that is terrifying, and she's desperate to protect herself and her younger sister from their father. Marie must decide whether she can help Lena by keeping her secret...or by telling it.   FROM THE NOTEBOOKS OF MELANIN SUN Coretta Scott King Award Winner Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him--is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?   MIRACLE'S BOYS Awarded the Coretta Scott King Award and the Los Angeles Times Book Prize Jacqueline Woodson brings us the story of three remarkable young men—brothers who have only each other to rely on and must decide whether they’ll work with that or let it tear them apart. Nothing is like it used to be. If it were, Mama would still be alive. Papa wouldn’t have died. And Charlie would still be the same old loving big brother to 13-year-old Lafayette, not a hostile stranger, just back from doing time at a correctional facility. Oldest brother, Ty’ree, would have gone to college, instead of having to work full-time to support the three of them. And Lafayette wouldn’t be so full of questions, like why Mama had to die, why Charlie hates him so much now, and how they’re all supposed to survive these times together when so much seems to be set against them.                                      AFTER TUPAC AND D FOSTER A Newbery Honor Book The day D Foster enters Neeka and her best friend’s lives, the world opens up for them. Suddenly they’re keenly aware of things beyond their block in Queens, things that are happening in the world—like the shooting of Tupac Shakur—and in search of their Big Purpose in life. When—all too soon—D’s mom swoops in to reclaim her, and Tupac dies, they are left with a sense of how quickly things can change and how even all-too-brief connections can touch deeply. Includes a discussion guide by Jacqueline Woodson.   FEATHERS A Newbery Honor Book “Hope is the thing with feathers” starts the poem Frannie is reading in school. Frannie hasn’t thought much about hope. There are so many other things to think about. Each day, her friend Samantha seems a bit more “holy.” There is a new boy in class everyone is calling the Jesus Boy. And although the new boy looks like a white kid, he says he’s not white. Who is he? During a winter full of surprises, good and bad, Frannie starts seeing a lot of things in a new light—her brother Sean’s deafness, her mother’s fear, the class bully’s anger, her best friend’s faith and her own desire for “the thing with feathers.”   SHOW WAY; Illustrated by Hudson Talbott; Ages 4-8 A Newbery Honor Book and Caldecott Medal Winner From slavery to freedom, through segregation, freedom marches and the fight for literacy, the tradition they called Show Way has been passed down by the women in Jacqueline Woodson’s family as a way to remember the past and celebrate the possibilities of the future. Beautifully rendered in Hudson Talbott’s luminous art, this moving, lyrical account pays tribute to women whose strength and knowledge illuminate their daughters’ lives.   COMING ON HOME SOON; Illustrated by E.B. Lewis; Ages 5-8 Winner of the Caldecott Medal Ada Ruth’s mama must go away to Chicago to work, leaving Ada Ruth and Grandma behind. It’s war time, and women are needed to fill the men’s jobs. As winter sets in, Ada Ruth and her grandma keep up their daily routine, missing Mama all the time. They find strength in each other, and a stray kitten even arrives one day to keep them company, but nothing can fill the hole Mama left. Every day they wait, watching for the letter that says Mama will be coming on home soon. Set during World War II, Coming On Home Soon has a timeless quality that will appeal to all who wait and hope.   For more on these and Jacqueline Woodson’s other titles visit: Jacqueline Woodson   There’s a Book for That! is brought to you by Penguin Random House’s Sales department. Please follow our Tumblr by clicking here—and share this link with your accounts: theresabookforthat.tumblr.com. Thank you! Did you see something on the news or read about something on your commute? Perhaps you noticed something trending on Twitter? Did you think: “There’s a book for that!”? 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passions and perspectives to the position, as she has to all her work: as a literary artist; as an advocate of fellow writers; and as a teacher, daughter, mother, sister, and friend.” The 22nd poet to hold the Poet Laureate position since it was created in 1937,  Ms. Smith is currently the director of Princeton University’s creative writing program, has released several collections of poetry (one of which, Life on Mars, won a Pulitzer Prize for Poetry), and in 2015 Knopf published her first nonfiction work, an acclaimed memoir, ORDINARY LIGHT, which was a National Book Award finalist.  Ms. Smith’s coming-of-age story intertwines race, faith, and family relationships, reads like poetry and, though a memoir, contains poetry within its pages. Here is an excerpt: Often, that spring, I found myself sitting in a reading room window with a book I ought to have been reading for class, but I also always had a black sketchbook into which I’d begun writing lines of my own. Sometimes, I wrote the same stanza over and over until something was unlocked and I could move forward. Once or twice, I’d stopped mid-poem, altogether stumped, and started a letter to myself in which I’d describe whatever it was I was having trouble getting into language. . . . Sometimes all of the watching and listening and waiting finally gave way to a poem.