Random House

A Vet’s Tales of Caring for Our Beloved Pets – Plus a Furry Friends Photo Gallery

National Pet Day was April 11 and our new Igloo Book Buzz selection, Suzy Fincham-Gray’s MY PATIENTS AND OTHER ANIMALS: A Veterinarian’s Stories of Love, Loss and Hope, was published by Spiegel & Grau on April 10. Looking at her life spent in the company of animals, veterinarian Fincham-Gray invites readers into her personal world of loving, healing, and assisting with the loss of our beloved pets, while showing the many ways they change our lives. In her literary debut, she writes with the same tenderness she brings to her patients, whose needs she must meet with her mind, her hands, and her heart.

[caption id="attachment_110808" align="alignright" width="183"] Suzy Fincham-Gray
© Robin Dayle[/caption] “When I first considered writing a book,” says Fincham-Gray, “I was determined not to write a memoir; however, as I explored the subjects that interested me, I returned again, and again, to the career I have pursued for almost thirty years. This journey has required that I take a deeper and clearer look at my role, as both a veterinarian and as a pet owner, and has helped me understand more about human-pet relationships. The stories in this book are the ones that demanded I write them, the cats and dogs who revealed, in a new way, what it means to care for the animals we love.” The book was acquired and edited by Spiegel & Grau Editor Annie Chagnot: “When I first read Suzy’s manuscript I was riveted by her ability to craft such suspenseful scenes (think Grey’s Anatomy but with animals) and I was surprised by how much the material moved me. There’s an intimacy and grace to her writing that makes it transcend the ‘pet lit’ category—which made sense when I learned that in addition to being a veterinarian, Suzy also has an MFA in creative writing, which makes her a rare breed! This is a book that any animal lover MUST read, but it’s also so universal in its theme of how we care for the ones we love, that I can’t imagine a reader who wouldn’t be moved by it.” In celebration of the release of MY PATIENTS AND OTHER ANIMALS and National Pet Day, this week several Random House and Spiegel & Grau colleagues’ cats and dogs posed for the camera.    

4 of Our Books Shortlisted for the International Dublin Literary Award

The 10 finalists for the 2018 International Dublin Literary Award have been announced, the shortlist including 4 authors and their books published in the U.S. by Penguin Random House imprints. Sponsored by the Dublin City Council and managed by Dublin City Libraries, the international competition receives its nominations from public libraries in cities around the world and recognizes both writers and translators.

The Dublin Literary Award, now in its 23rd year, is one of the richest literary prizes in the world, worth €100,000 to the winner. If the book has been translated, the author receives €75,000 and the translator €25,000. A five-member international judging panel, chaired by Eugene R. Sullivan, will select one winner, which will be announced by Lord Mayor, Ardmhéara, Mícheál Mac Donncha, Patron of the Award, on June 13 in Dublin, Ireland. Our shortlisters: HUMAN ACTS by Han Kang; translated from Korean by Deborah Smith (Hogarth) THE LESSER BOHEMIANS by Eimear McBride (Hogarth) LADIVINE by Marie Ndiaye; translated from French by Jordan Stump (Alfred A. Knopf)   MY NAME IS LUCY BARTON by Elizabeth Strout (Random House) To view the complete list of 2018 International Dublin Literary Award finalists, click here. To read an Irish Times article by Hogarth author John Boyne about this year’s shortlist, click here.

Three Penguin Random House Titles are Finalists for “One Book, One New York”

The Mayor’s Office of Media and Entertainment this morning launched this year’s “One Book, One New York,” the exciting citywide initiative that brings book-loving New Yorkers together to read the same book at the same time.  Among the five finalists are three books published by Penguin Random House imprints: 

IF BEALE STREET COULD TALK by James Baldwin (Vintage) WHITE TEARS by Hari Kunzru (Vintage) BEHOLD THE DREAMERS by Imbolo Mbue (Random House) Building on the enormous success of the program’s inaugural year in 2017, this year’s campaign, in partnership with New York Magazine and Vulture, New Yorkers get to vote for one of five books all through the month of April . We encourage all Penguin Random House colleagues to vote for their favorite title here. Media and Entertainment Commissioner Julie Menin said, “We are enormously excited to present the five books in contention for this year’s One Book, One New York program. These beautifully told tales reflect the rich variety of experiences and voices that make New York’s literary culture second to none. We hope once again that One Book, One New York will inspire great conversations, foster compassion in difficult times, support our vital publishing industry, and spur New Yorkers to rediscover their local libraries and neighborhood bookstores.” Hari Kunzru, author of WHITE TEARS, said, “In the last decade, I’ve made a life in New York. I got married in the courthouse downtown, my children were born here. To be part of One Book is extraordinary. It makes me feel welcomed. It makes me very proud.” “BEHOLD THE DREAMERS is, among many things, a love song to my adopted hometown of New York City, so it is a tremendous privilege for me, that it is being consider for One Book, One New York,” said author Imbolo Mbue. “From my earliest days as an undergraduate student, James Baldwin’s life and work have provided a guiding force that has given me the courage to pursue work that has meaning and social impact,” said Barry Jenkins, writer/director of the film adaption of If Beale Street Could Talk. “With If Beale Street Could Talk, my favorite author renders the city and neighborhood that raised him in unflinching detail and with endless empathy and grace.” On Thursday, April 19 at 7:00 p.m., the four living nominated authors as well as director Barry Jenkins (Moonlight), who is making a film of the late James Baldwin’s IF BEALE STREET COULD TALK, will join a panel discussion as part of the Pen America World Voices Festival. Held at The New School’s auditorium in the Alvin Johnson/J.M. Hall, the event is free and open to the public on a first come, first served basis. After the month-long voting period, the winning book will be announced in early May. Once the winning book is picked, New Yorkers can look for events at their local libraries and throughout the city that will keep the discussion going all summer long.  

John A. Farrell’s RICHARD NIXON Wins New-York Historical Society Book Prize

RICHARD NIXON: The Life  by John A. Farrell (Random House) has won the New-York Historical Society’s Barbara and David Zalaznick Book Prize, awarded annually to the best work in the field of American history or biography. 

Named in honor of philanthropists Barbara and David Zalaznick, the prize includes an engraved medal patterned after a medal in the New-York Historical Society’s collection, a $50,000 cash award to the author and the title American Historian Laureate. This prize, created “to encourage the general public to read works on American history,” will be officially presented to Mr. Farrell on April 13 as part of the historical society’s annual “Weekend with History” event.          

Elizabeth Strout Wins The Story Prize for ANYTHING IS POSSIBLE

Elizabeth Strout has won The Story Prize for ANYTHING IS POSSIBLE (Random House), receiving a $20,000 award and an engraved silver bowl at the 14th annual Story Prize event, which took place on Wednesday, February 28, at The New School in Manhattan.  The Story Prize judges offered high praise for Strout and her latest collection of short stories: “The intelligent prose is seemingly humble but elegant in its subtlety and enchanting in its overall effect. The blade of her wit is so sharp, you barely feel it until after the slice. Strout is a specialist in the reticence of people, and her characters are compelling because of the complexity of their internal lives, and the clarity with which that complexity is depicted. It is a sublime pleasure to read her work.”  

The Story Prize runners-up – Daniel Alarcón for THE KING IS ALWAYS ABOVE THE PEOPLE  (Riverhead Books) and Ottessa Moshfegh for HOMESICK FOR ANOTHER WORLD  (Penguin Press) – were also honored and each received $5,000. Three independent Story Prize judges – Knopf/Vintage author and poet Susan Minot, critic and author Walton Muyumba, and Library Journal Associate Editor Stephanie Sendaula – selected the three finalists from among 120 submissions representing 93 different publishers or imprints, and then determined the winner. Warm congratulations to Ms. Strout, her editor and publisher.
Load more

Watch the New Netflix Adaptation of Richard K. Morgan’s ALTERED CARBON

The cinematic scope of Richard K. Morgan’s genre-bending science fiction book, ALTERED CARBON (Del Rey), made it a natural for screen adaptation.  Now streaming exclusively on Netflix, this ten-episode series takes place more than 350 years into the future, when humankind has spread throughout the galaxy, monitored by the watchful eye of the U.N.  While divisions in race, religion, and class still exist, advances in technology have redefined life itself. Now, assuming one can afford the expensive procedure, a person’s consciousness can be stored in a cortical stack at the base of the brain and easily downloaded into a new body (or “sleeve”) making death nothing more than a minor blip on a screen.  

Brought back to life after 250 years by Laurens Bancroft (James Purefoy), the richest man on Earth, ex-Envoy soldier Takeshi Kovacs (Joel Kinnaman / Will Yun Lee) must solve Bancroft's attempted murder for the chance to live again in a world he doesn't recognize. In 2003, ALTERED CARBON won the Philip K. Dick Award, was a New York Times notable book, and made that year's Best lists for The New York Times, Library Journal, and Locus Magazine, among others. There are also two more books in the series that take place after ALTERED CARBON: BROKEN ANGELS and WOKEN FURIES. Morgan’s next standalone novel, THIN AIR, will be released on July 31. Watch the ALTERED CARBON Netflix series trailer: https://www.youtube.com/watch?v=dhFM8akm9a4

Watch Trailer for THE ALIENIST TV Adaptation, Premiering Tonight on TNT

The wait is over at last for a filmed adaptation of the classic historical thriller, THE ALIENIST by Caleb Carr. Tonight, at 9:00 pm (ET/PT), TNT Network premieres the first episode of the much-anticipated mini-series based on the multi-million-copy selling novel.  

When THE ALIENIST was first published by Random House in 1994, the book was a major phenomenon, spending six months on the New York Times bestseller list.  Fast-paced and riveting, infused with historical detail, this twisty tale conjures up Gilded Age Manhattan with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills.  It is an era in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.  Set in 1896 New York, amidst a backdrop of vast wealth, extreme poverty and technological innovation, this psychological thriller stars Daniel Brühl (Rush), Luke Evans (The Girl on The Train), Dakota Fanning (American Pastoral) and Brian Geraghty (The Hurt Locker) and was directed by Jakob Verbruggen. Turner Broadcasting is enormously proud of this programming, not only the most expensive filmed series in the history of the network, but also its most heavily promoted—which should bode well for Random House, which has 270,000 copies in print of the original and TV tie-in paperback edition. Watch THE ALIENIST Series Trailer:  https://www.youtube.com/watch?v=q9867sT-Y1M

Our 5 Nominees for 2018 Edgar Awards

Mystery Writers of America (MWA) has announced its nominees for the 2018 Edgar Allan Poe Awards, honoring the best in mystery fiction, nonfiction, and television published or produced in 2017.  Five books published by Penguin Random House imprints earned nominations in the following categories: 

  Best Novel PRUSSIAN BLUE by Philip Kerr (Marian Wood Books/G.P.Putnam’s Sons) THE TWELVE LIVES OF SAMUEL HAWLEY by Hannah Tinti (The Dial Press)   Best First Novel LOLA by Melissa Scrivner Love (Crown) IDAHO by Emily Ruskovich (Random House)     Best Fact Crime KILLERS OF THE FLOWER MOON: The Osage Murders and the Birth of the FBI by David Grann (Doubleday) View the complete list of nominees here. This year’s Edgar Awards will be presented to the winners at MWA’s 72nd Gala Banquet on April 26 in Manhattan.

Alarcón, Moshfegh, Strout: Finalists for The Story Prize

The three finalists for the 2017 Story Prize, which annually honors authors of outstanding short story collections published in the prior year, are all published by Penguin Random House imprints:  

  THE KING IS ALWAYS ABOVE THE PEOPLE by Daniel Alarcón (Riverhead Books) HOMESICK FOR ANOTHER WORLD by Ottessa Moshfegh (Penguin Press) ANYTHING IS POSSIBLE by Elizabeth Strout (Random House) The Story Prize, now in its 14th year, announced that these finalists were chosen from 120 submissions representing 93 different publishers or imprints.  Three independent judges – Knopf/Vintage author and poet Susan Minot, critic and author Walton Muyumba, and Library Journal Associate Editor Stephanie Sendaula – will determine the winner, to be revealed at the Story Prize’s annual award event, co-sponsored by the Graduate Creative Writing Program, at The New School in Manhattan on February 28.   The finalists will read from and discuss their work with Larry Dark, director of The Story Prize.  Then Story Prize founder Julie Lindsey will present the 2017 winner with a check for $20,000.  The two runners-up will each receive $5,000.

TELL ME MORE: Random House’s Andy Ward on Kelly Corrigan’s New Book

In her new Random House book, TELL ME MORE: Stories About the 12 Hardest Things I’m Learning to Say, New York Times bestselling author Kelly Corrigan swings between meditations on life with a preoccupied husband and two mercurial teenage daughters to profound observations on love and loss.  Kelly’s editor, Andy Ward, Vice President, Editor in Chief, Random House, was closely involved with the creation of this collection of stories and shares insights into  his impressions of Kelly’s voice on the page, their editor/author working relationship, and who will find her new stories most beneficial in this Three Questions for an Editor interview. 

In TELL ME MORE, Kelly Corrigan writes about experiences that are both intensely personal and universally relatable.  What are the keys to her ability to draw readers into her life and prompt them to examine their own? [caption id="attachment_9124" align="alignright" width="300"] Andy Ward
(c) Danielle Siess[/caption] Three main keys, I’d say: humor, intelligence, and honesty. (Okay, and a fourth: a rare, instinctive sense of what is interesting in any given scene or moment. Good observers tell good stories.) Kelly knows how to draw a compelling scene, but it’s her honesty – her vulnerability and openness as a narrator, her willingness to portray her life as, at times, something of a mess – that resonates for me. Kelly doesn’t pretend to hold the secret to a happy life. She doesn’t pretend her family is perfect. She doesn’t gloss over her mistakes (see: “It’s Like This”) or her less-becoming impulses (“I Was Wrong”). That kind of honesty keeps the reader from feeling defensive, and maybe encourages them to engage in some introspection of their own. How would you describe the editorial process involved in putting TELL ME MORE together with the author – in terms of shaping the narrative and organizing the flow of the chapters? [caption id="attachment_9125" align="alignleft" width="225"] Kelly Corrigan (c) Mellie T Williams[/caption] I would describe it as highly iterative. As Kelly drafted and redrafted, the list of phrases in the book expanded and contracted and expanded again, from 10 to 8 to 14 to 12. The phrases themselves also shifted and evolved, as Kelly wrote her way down to the essence of things. One essay, “You Got This,” eventually morphed into “Good Enough,” which is less of a pep-talky bromide and more of a portal into the idea of acceptance. Another one of the essays, “I Was Wrong,” was initially titled “I’m Sorry,” and Kelly and I went back and forth on this, with me arguing that “I’m Sorry” was more universal and, thus, more relatable, and Kelly arguing that “I Was Wrong” was more powerful and harder to say and, in fact, far more meaningful in that it suggested real accountability. She was right, of course. That’s a battle I was only too happy to lose. The book is better because of it. Who do you think will get the most out of reading this book and why? Given my biases here, that’s a hard one to answer objectively. But in that spirit, I guess I’d say: anyone with kids, anyone who has had a brush with mortality, anyone who bolts awake at 3am, convinced that they are failing on every possible front, or anyone who is at the time of their lives when they are dealing with aging or infirm parents, and all of the pain and confusion and bewildering existential stuff that goes along with that. That’s an extremely wide swath of people, I know, but then again, this is a book that is ultimately about acceptance of our flaws, the desire to be better, and the search for what is truly important in life. I’m calling that universal. Kelly Corrigan reads an excerpt  from the "I Love You" chapter of TELL ME MORE: